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Road Movie: Abhay Deol Dev Benegal together working on the same movie means a completely out of the league movie which will definitely show you another level of cinema excellence. Oye Lucky, DevD, Monorma Six Feet under and now Road Movie, Abhay Deol has already become a cult classic actor and I really respect this guy the way he is changing our commercial and boring cinema

http://www.etikka.com/2009/09/road-movie-abhay-deol-preview.html

The Game of Survival… The Bear, (1988) known as L’Ours in its original release, is a feature film directed by Jean-Jacques Annaud. The screenplay by Gérard Brach was adapted from the novel The Grizzly King by James Oliver Curwood.

Set in late 19th century British Columbia, Canada, the film tells the story of an orphaned bear cub befriended and protected by an adult male grizzly as hunters pursue them through the wilds.

Though the film did not enjoy overwhelming commercial success with its North American release, it was acclaimed in France, and was nominated for and won numerous international film awards.

Plot and cast
In the mountainous wilds of British Columbia, a grizzly bear cub (Douce) suffers the death of his mother from a rockslide. Soon the young cub meets a large male grizzly (Bart the Bear) attempting to soothe a bullet wound inflicted by a pair of hunters (Jack Wallace and Tcheky Karyo). A friendship forms between the two bears.

The two hunters are joined by another hunter (Andre Lacombe) and a pack of hunting dogs. The bears are chased over a ridge with the dogs in pursuit. The cub hides and the grizzly lures the dogs away, killing some of them. The hunters find the cub and take him to their camp. They leave to pursue the larger bear.

The hunters separate and the younger one is suddenly cornered, without his gun, by the grizzly. Faced with the bear’s menacing roars and snarls, the hunter cowers in fear and whimpers in the face of certain death. The grizzly, seemingly affected by the hunter’s distress, turns and leaves. The hunter is met by his partner and the two leave the wilds.

The bear cub is confronted by a cougar and tries to defend himself. As the cougar nears, the cub turns to find his older friend and protector. They embrace. Winter approaches and the two bears enter a cave. Settling down, the cub experiences his first peaceful sleep since his mother’s death.

The film opens with a quote from The Grizzly King: “The greatest thrill is not to kill but to let live.” The plot focuses on the idea of compassion for life and nature. At the end of the story we see that the younger of the two hunters has become wiser. He has survived because of the mercy afforded him by the grizzly. When found unarmed and helpless by the grizzly male, the younger hunter was at the grizzly’s mercy. The grizzly left the young hunter alive, but could easily have killed him. Recovering from his shock, the young hunter first thought to kill the grizzly, but then gave thought to a deeper inspiration and allowed the grizzly to live, affording the bear the same mercy that was afforded him. We then learn that the older of the two hunters shares the thoughts of the younger hunter. The older hunter says near the end: “Everyone has a secret place, and by God that is how it should be.” Ultimately the film shares its philosophical sentiment with that of the book on which it is based, that of a Biocentric or Deep Ecology.

The Bear has very little dialog, and no narration, which differentiates it from usual films. Communication between the movie and the viewer rely on body language and inferences, which enhance the relationship between the characters and the viewer, in a more deeply emotional manner.

Awards and nominations
Won:

1988: National Academy of Cinema, France, Academy Award (Jean-Jacques Annaud)
1989: César, Best Director (Jean-Jacques Annaud)
1990: Genesis Award, Feature Film (Foreign)
1990: Guild of German Art House Cinemas Film Award, Silver Foreign Film (Ausländischer Film) (Jean-Jacques Annaud)
Nominated:

1990: Academy Award, Best Film Editing (Noëlle Boisson)
1990: American Society of Cinematographers Award, Outstanding Achievement in Cinematography in Theatrical Releases (Philippe Rousselot)
1990: BAFTA Film Award, Best Cinematography (Philippe Rousselot)
1990: Young Artist Award, Best Family Motion Picture – Adventure or Cartoon
César – Best Cinematography (Philippe Rousselot)
César – Best Film (Jean-Jacques Annaud)
César – Best Poster (Claude Millet, Christian Blondel, Denise Millet)
César – Best Sound (Bernard Leroux, Claude Villand, Laurent Quaglio)

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With the goal to share a new perspective on the need for sustainability, Yann Arthus-Bertrand takes us on an original journey around the planet. Contemplating its beauty through the eyes of the filmmaker, we learn about the treasures Earth offers and marks we leave behind.

29. Mr. and Mrs. Smith chase scene

Watch Brad Pitt and Angelina Jolie in a mini-van/BMW chase. Any car chase involving a mini-van is deserves to be ranked pretty low.

28. The French Connection
The French Connection is about a couple of New York City cops that try to intercept a heroin shipment coming in from France. This chase happens between French hitman Nicoli (Marcel Bozzuffi) and Popeye Doyle (Gene Hackman). The chase started after the hitman attempts to assassinate the New York City officer.

27. Swordfish
Swordfish is about a hacker named Stanley Jobson (Hugh Jackman) that infects the FBI Carnivore software with a computer virus. Jobson was arrested by Agent Roberts (played by Don Cheadle) for creating the virus. As part of his parole, Jobson was not allowed to go near a computer. Ginger Knowles (Halle Berry) and Gabrier Shear (John Travolta) approaches Jobson to do a hacking job for $10 million. Below is the making of a chase scene in the movie where a S-64 Aircrane helipcopter lifts a bus with Jobson on it and placed it on a skyscraper rooftop.

26. Gone In 60 Seconds
Gone in Sixty Seconds is a film that stars Memphis (Nicolas Cage) and his brother Kip (Giovanni Ribisi). Kip took a contract to steal fifty cars from a crime boss, but failed the job. Memphis then became responsible for fulfilling the job. Below is a chase scene with Memphis driving a 1967 Shelby Mustang GT500 and several police cars.

Song Clip 1 (1:09 Secs)
Naacho Naacho

Song Clip 2 (1:08 Secs)
Kobbari Kobbari

Song Clip 3 (1:55 Secs)
Aaa Aaa Aaa

Song Clip 4 (1:36 Secs)
Yele Yelele

Song Clip 5 (1:45 Secs)
Ammi Ammi

Trailor 2 (30 Secs)
Audio Release (9:11 Secs)

Trailor 1 (30 Secs)

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